工作，很多时候是校园生活的延续，同时也是毁灭。
绝大多数的企业单位都延续了学校的条条框框，固定的时间，固定的地点，以前被成绩压迫，现在被业绩压迫。
同时，校园的纯真又被毁灭地几乎一干二净。身边的人不再是下课也一起玩耍的同学，而是下班就各走各路的同事，真心的朋友越来越难交。以前讨厌一个同学远离即可，后来讨厌一个同事，却会因为工作不得不继续与其交流。
类似这样的情况，有人1961年就拍成了电影。埃曼诺·奥尔米用朴实纪录的风格打造出一部《工作》
A humanist masterpiece. The film is certainly against the dehumanizing aspects of corporate life, but one hesitates to call it a "protest" movie, like some of Chaplin's repertoire. There is no expressed anger, but what I see as a reasonable, controlled indignation, made poignant by sympathy and sensibility.
Olmi's films never disappoint. His technical background gives him fine eyes for the subtlety of light and shadow in black/white cinematography. His two best-known works, "Il Posto" and "Il Fidanzati", are the epitomes of B/W accomplishment.
【工作】1961年，[Film Review] Il posto (1961)
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