This 1992 Japanese film told a scientist the story that he set out to create a new one; Super Adam and Eve ;, People who cannot be controlled by emotions. Of course, the final result is not exactly what good doctors expect. Comments from imdb: this modern story of trying to build biology is one of the best; Terror ; Even if this is not a horror film, it is a completely different film. Of course, it is on my short list of all great movies. This film was introduced to me, and he told me:; I have this film, which is probably one of the best you have seen. It will move you, touch you and make you think, but if I tell you what it is and tell you how it works, you will feel that this is the most stupid thing on the surface, and you will not look at it; I asked him curiously what he meant, and he said:; This is a Frankenstein story with a very stupid edge, but it takes advantage of its advantages" My ears pricked up. I was a trusted person. I took the tape and looked at it. I was blown away. The plot tells of a crazy scientist who tried to create a new Adam and Eve after a suicide plague that ravaged the world. Being confined in the laboratory, his experimental results are different from what he or we expected. Some are stupid (bolts on the neck, wrestling movements...), all of which are touching and thought-provoking. I can't recommend this movie enough. If you are willing to accept the terms of this film and allow it to tell a story, then I urge you to look for this film and watch it. This is an undiscovered gem that will always be with you. 15 out of 10, then some. 10/10 is also called 10; The Last Frankenstein;, This is an extraordinary and well-made horror film. Director Takeshi Kawamura used Mary Shelley's novel as a springboard to explore various and fascinating themes such as love, desire, suicide, mass hypnosis, sex, alienation and jealousy. Although this film is full of subtext, its shooting is also amazing, full of atmosphere and details. All the performances were amazing. Kawamura's sensitive handling of the strange and delicate relationship between the characters led to a tragedy full of emotion and anxiety. The scene of this confused and troubled monster walking through the misty forest at night is unforgettable and impressive. This is a wonderful montage in the style of family film. The more curious characters in the film spent a valuable afternoon on the beach. Kawamura has created a sympathetic visual poem that has been almost invisible since Todd Browning's classic Terror and Sadness; Freaks ;. Intelligence, sensibility, tragedy and truth are absolute gemstones. 9/10
根据各种线索，吉村和关西警方已确认嫌疑人为年轻音乐家和何英良。随着死者家属的说法，受害者的身份终于被了解：他的名字叫三木贤一，曾是岛根县的一名警察。退休后，他回到家乡江做生意。几天前，他离开了家，说他正在伊势参拜一座神社，但他再也没有回来。吉村和金溪赶到三木谦益当时工作的地方桂松，深入调查。他们找到了与三木关系密切的通远老人，还查阅了桂宋村的历史。得到的材料是：三木心地善良，人缘极好。他的妻子过早去世，没有留下任何孩子。在任职期间，他遇到了父子两个乞丐，并收养了乞丐的儿子，此人原籍石川县江上县。今天，Xi跟随通元老人提供的地址，来到了石川县江上郡大和田村乞讨父子的老家。根据调查，这名男子名叫本浦千代司。他的妻子和他离婚了，他的孩子是由千代吉抚养长大的本浦秀夫。20年前，这对父子离开了村子，再也没有回来。吉村和金溪后来调查找到何应良的户籍时，发现战时户籍已被战争破坏，现存的只是他借战后重新登记的机会编造的。从辅助手册中提供的材料中发现，他的真名是本田秀夫，父亲名叫本田千代吉，母亲名叫阿芳。他和三木收养的乞丐是同一个人。事实证明，本田秀夫和他的父亲当时都患有严重的麻风病。为了谋生，这对父子外出旅行。他们白天乞讨，晚上住在祠堂里，忍受着饥饿和寒冷，忍受着世界的侮辱，年复一年。有一次，他们来到一个村庄，村里挂着禁止乞丐进入的告示牌。千代木请求允许他进入村庄，但巡逻官不仅拒绝了，还用一个混蛋把他推开了。昭和18年8月，当地警察局不断接到从地面上偷东西的报告。三木贤一警官根据报告中的线索找到了这对乞讨父子。他不仅没有赶走他们，还安排千代被妥善安置在国立疗养院，并收养了本浦秀夫为养子。但不知怎的，昭和19年年底，秀夫到大阪，在河和自行车店当服务员，从而伪造了户籍。后来，在努力学习后，他上了高中，然后去了东京，在艺术大学学习，从而脱颖而出，成为了和合英良。。。案发前，萨米千益很高兴能再次找到养子。他想找到和合英良，他被要求去国家疗养院看望他的生父，但和英良残忍地杀死了养父三木，因为他担心暴露他与麻风病父亲的关系会损害他的声誉和前途。
正当这位先生对生活感到绝望时，她遇到了一个叫大冢的男人，他从东京来上班。温柔的大冢让这位绅士向往爱情，一段充满激情和禁忌的关系就此展开。然而，这也是这位绅士陷入不幸深渊的开始。
