It works wonders when beautiful verses are weaved in with plots, especially as motifs. It struck you time and time again and made an ever so strong echo in your mind and heart.
William Wordsworth is probably my favorite poet in the English literature. I love his "I Wondered Lonely". The lines where the title of this movie comes from are also impressively beautiful, making the movie as poignant as possible.
Natalie Wood is so convincing as the tormented, love-sick young girl brought up to be good. And the debut of Warren Beatty is quite successful.
Natalie's portrait of madness is not over the top, thank goodness.
The movie ends on a good note, maybe still too good to be true. People sent to a mental institute do no usually turn out that normal due to the medical conditions at that time. Still, it's Hollywood and it got to end that way.
刚好最近在读美国20世纪二十年代的历史，所以更能感受其中。
全英文字幕看完了；还没看时，觉得片名很不错，看完觉得片名简直糟透了。
一部以大萧条时代为背景的青春片，有关性，父权，女性地位，“爵士时代”，“迷惘的一代”…
我也理解了“splendor in the grass”的意义，最终两人的相见场面怎能不让人叹息呢！
“splendor in the grass”出自英国诗人华兹华斯的诗句：
What though the radiance which was once so bright
Be now for ever taken from my sight,
隔了多年，却在一个夏日自责的午后想起。。。。
那时的我还看不懂这部电影，却莫名其妙地哭，为那淡淡的青春的哀伤。
记得虽然这部电影有一些细节处理得比较突兀，但整部片子的调调还是非常感动我。。。
如题。电影主要描述了两个家庭。男主的家庭是暴发户，父亲整天像打鸡血一样亢奋，一心把儿子送进耶鲁大学，然后再培养成家族企业接班人。儿子比较朴实，只想安静地做个美男子，对资本主义不太感兴趣，反倒是受到“广阔天地大有作为”的影响，一心想去农村种地。另外还有个女儿未婚先孕，性格越发叛逆。女主的家庭则是个普通家庭，母亲是个老封建，热衷于给女儿洗脑。两人的爱情故事就发生在这样的背景下。
哦对了，女主还有个绿茶同学，虽然是60年代老茶但比起最近两年新茶味道一点不差。和男主睡到了一起
这是一部非常感人的片子。
优美宁静的美国乡村，美丽的女孩Deanie与Bud彼此深深的相爱，他们的爱带着青春的狂热与激越，也带着青春的无奈与困惑。但是却由于家庭、社会和周围环境的原因产生误会而被迫分手。男孩虽被家人送到另一座城市的大学中深造，但却为了这段刻骨的爱而自我放逐、消沉；女孩更是因为受此打击而精神崩溃，进入了疗养院……
很多年过去，那些青春的碎片在Bud的记忆里沉淀，Bud找了个平凡的女孩结婚生子，他成了一个地道的农夫。而Deanie病好了出了疗养院后，鼓足勇气去见Bud，Bud已然是成熟男人的摸样，他高挽着裤管，卖力地清理着牛栏，他不美丽的妻子和他脏而可爱的孩子在旁边。Bud向Deanie逐一介绍了他的家人……。
片子的结尾，有人问Deanie，是否依然爱着Bud。Deanie没有回答，她轻轻地笑了笑，但眼中却孕满了泪水。她的心中默念着华兹华斯的那首诗：“再也没有灿烂的阳光，壮美的草原和艳丽的花朵，没有悲伤，我们要从现有的一切中汲取力量。”
Two teenagers falling in love in Kansas 1928, Deanie and Bud (Wood and Beatty) are the ne plus ultra of high school sweethearts, he is a jockey born with a silver spoon, she is as lovely as a storybook princess, both parents are quite content with their pairing, then why, in Kazan’s SPLENDOR IN THE GRASS, apart from the fallout of the imminent and fateful Crash of 1929, their lives will be permanently scarred, and both opt for a settling-for-less middle ground.
“天涯何处觅知音”splendor in the grass
转载请注明网址: https://www.4544yy.com/movie-id34613.html
