70 年代的大衛·柯南伯格,以《毛骨悚然》、《狂犬病》等低成本恐怖電影嶄露頭角,1981年因《奪命凶靈》票房大賣而略有聲譽。但這位加拿大天才導演絕不滿足于程式化的恐怖類型片,他從第一部作品開始便一直在嘗試創造自己獨特的幻覺世界,并將隱喻、哲學思考藏於其中。1983 年,當《錄像帶謀殺案》橫空出世,也許不及《奪命凶靈》的商業成功,卻使評論界和學術界癡迷,安迪·沃霍爾將其稱為「80 年代的『發條橙』」。這部電影也標誌著他作為電影作者的成熟。
The feeling after saw this one is weird and creepy but still for some point I felt part of me also felt excited and chill out when the procedure going,I think it’s like an anti Nazi Nazi film just like a evil mirror,both side of it is the evil face and you can never tell which is true and correct,beyond all those illusions is that what we really made of.
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The scarier it appears the softer it back point is .
录影带谋杀案:后劲十足的惊悚片 娛樂至死——Cult·諷刺·寓言 上篇:高懸客廳的達摩克利斯之劍
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